Ultimate FET condenser microphone.LCT 640 TS

LEWITT's flagship solid state microphone is packed with features to help you sound amazing, offering perfect sound in mono or stereo with its revolutionary Dual Output condenser capsule.

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LCT 640 TS

Powerhouse performance in stereo or mono.

Whether you're recording studio vocals or stereo drum overheads, the LCT 640 TS is up to the task. Watch the video to learn why it's the most capable solid state microphone in our lineup.

LCT 640 TS performer

Premium FET capsule

Record every detail.

For when you need beautifully bright and clear recordings, the professional-grade FET circuitry of the LCT 640 TS will let you hear every nuance of the performance. You'll get perfect clarity and small details will shine through, making it the best choice for vocals, stringed instruments, piano, or even ASMR recordings.

Hear examples

Dual Output Mode

One mic, two channels.

Stereo recording can be time consuming and difficult to set up, but with the LCT 640 TS you can record perfect, in-phase stereo with a single microphone. The signals from the front and back of the LCT 640 capsule can output on two separate channels, making it adaptable to not just solo vocals but also wide open rooms, and even choirs. 

LCT 640 TS Dual Output mobile
LCT 640 TS Dual Output

More freedom and flexibility.

The LCT 640 TS gives you all the control you'll ever need from a microphone.

  • Five different polar patterns help you adapt your microphone to any source.
  • A switchable pad can attenuate up to -18dB for even the loudest performances.
  • A generous four-step roll off filter can attenuate up to 150 Hz to reduce low-end rumble and room noise.
  • The included POLARIZER plug-in lets you get creative by adjust polar patterns in your DAW.

Learn more about POLARIZERDownload POLARIZER plug-in

POLARIZER plug-in
POLARIZER plug-in

Reviews

Audio Media International

"The LCT 640 TS is the swiss army knife of microphones and is always ready for action. It is a pleasure to use, well designed and built to last."

- Ross Simpson

Full review

MusicTech Magazine

By enabling you to record both diaphragms, the LCT 640 TS provides something different to most multi-pattern microphones. If you enjoy experimenting with recordings, this microphone would be an excellent addition to your arsenal. Furthermore, if you are looking to invest in your first multi-pattern condenser, this can always be used as a standard condenser as well as in Dual-Output Mode, and is a great-sounding microphone.

Full review

Produce Like A Pro

The LCT 640 TS provides an amazing, very balanced sound, so it lends itself to recording almost any instrument or sound source. But it also innovates in terms of the way we record music: the LCT 640 TS records both sides of its capsule simultaneously and independently, which allows you to capture stereo recordings or blend your room sound with the main recording – all in one microphone! And because it’s one single capsule, the two tracks are perfectly in phase.

Warren Huart

Watch video

Sound on Sound

The real strength of this microphone is in its ability to allow real-time and/or post-production adjustment of the polar pattern. For example, being able to move smoothly from omni through to figure-of-eight not only has an audible effect on the character of the direct sound (mainly because of the proximity effect), but also changes the sense of perspective (ie. room-sound contribution), and any spill from other sound sources.

Hugh Robjohns

Full review

MixOnline

The LCT 640 TS is an affordable mic that you will use all the time. The Dual Output Mode is so incredibly useful, I can’t see any reason not to engage it every time you record with the mic. When you have such a sonically excellent condenser like this under $900 and then add in the unique feature set, you have to try it.

Kevin Becka

Full review

Sound samples

How does it sound?

Specifications

Type

Condenser, externally polarized

Acoustical operating principle

Pressure gradient transducer

Diaphragm

3 micron gold sputtered Mylar

Transducer Ø

25.4 mm, 1 in

Polar pattern (Dual Output Mode)

Create any polar pattern in post-production

Polar pattern (Multi-Pattern Mode)

omni, wide cardioid, cardioid, supercardioid, figure-8 

Sensitivity

31.4 mV/Pa, -30.1 dBV/Pa

Self-noise

10 dB (A)

Max. SPL for 0.5 % THD

134 dBSPL, 0 dB attenuation

Signal / noise ratio

84 dB (A)

Dynamic range

124 dB (A)

Pre-attenuation pad

 0 dB
-6 dB
-12 dB
-18 dB

Low-cut filter

linear 
40 Hz (12 dB/oct)
80 Hz (12 dB/oct)
160 Hz (6 dB/oct)

Input impedance

110 Ω

Supply voltage

48 V ± 4 V

Current consumption

5.1 mA 

Microphone enclosure

Zinc die cast

Connector

Gold plated 3-pin XLR + Mini 3-pin XLR

Microphone dimensions

158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in

Microphone net weight

425 g, 14.9 oz

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Microphones measured according to: IEC 60268-4 | Phantom power according to: IEC 61938 | Noise measurement according to: IEC 60268-1

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